Once babies start moving... and biting and screeching, I think that's when they become toddlers. I've been kind of dormant on here because I'm chasing this fucking adorable rugrat around. As she is running around more she's tuckering out more and naps more... which means Mom gets to paint.
Here's a little sneak peak of what I'm working on.
They're not finished.
I'm fortunate to be part of a group showing this July at The Morris Burner Hostel. Alongside many other talented artists I will be painting my version? rendition? feeling baby centering around the theme of Medusa. I had forgotten about the show completely until a month ago when Jackie Dilworth reminded me of it--thank goodness.
Thank goodness for this show.
Just.... thank thank thank goodness.
Because of this show I am painting through some emotional baggage I've left bottled up for way too long.
Our stories, Medusa and mine, much like this painting, entwine.
You see, Medusa wasn't born vile. She was normal. Just a mortal Gorgon chillin. She was capable of death, capable of pain, and susceptible to life. She was a beautiful maiden. Medusa used to be a babe. She was so beautiful that Poseidon desired her... desired her so much that he raped her in the temple of Athena. Athena, pissed that her temple had been desecrated, cursed Medusa into being a hideous, snake hair'd monster who turned men to stone with her gaze. Athena cursed her and the world hunted her down for it.
I had no idea of Medusa's lineage, her narrative, or her rape.
I, too, have been assaulted in the temple of a goddess.
I, too, have been punished for this assault by banishment and emotional scarlet letterhood.
I, too, have paid a great price and have been contorted by the weight of action and repercussion.
I, too, have an assaulter who roams free as the sea.
I, too, have worn this face, this hair, this weight.
I, too, have looked into the mirror of myself and seen it's hideousness as well as it's mortality.
So I'm painting it. Well, I'm attempting to... Medusa and I are one in this freeing moment of self-realization. Caravaggio's Medusa has always been my favorite--androgynous, reactionary, revolted, and emptying. Her mouth agape, jaw locked in sound and rage and darkness. Caravaggio captured the exact moment where Medusa catches her own reflection, catches her own gaze, catches her own death.
Through the creation of this painting, I'm allowing this incident to die.
Through the three eyes of us, we see and recognize, we give in and succumb, and we will be reborn.
So.... folks, I haven't been doodling. I haven't been lollygagging, futzing, or forgetting.
I've been digging and digging and digging.
I've been dreaming and letting go and rebuilding.
I've been making something beautiful out of the present from the past.
I've been recreating myself every time I lift a paint brush.
I'll post a finished image when I'm through.
Mallory Kate is a blogger, artist, single mom and funny girl outta Nevada.
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